Mediation:
Practice in Art Criticism
Art criticism today can’t exclusively be concerned with the description and classification of works of art any more. Rather art criticism has to reflect on the terms and conditions of the artistic field, that have dramatically changed since the 1980s and which at least co-determine what and …
Art and its Frames. Continuity and Change
with Beatrice von Bismarck (Leipzig/Berlin), Julia Bryan-Wilson (Berkeley), Helmut Draxler (Berlin/Nürnberg), Andrea Fraser (Los Angeles), Renée Green (Cambridge, Mass.), Hannes Loichinger (Lüneburg), Sven Lütticken (Amsterdam), John Miller (New York), Marion von Osten (Berlin), Gerald Raunig …
Bachelor Presentation Art Education Program 2025
The BA SHOW is an exhibition organized by the IKMV, the Institute of Fine Arts Art, Music, and Education. It represents a fundamental teaching approach aimed at introducing students to exhibition practice and art mediation, thereby creating links between theory and practice.The artistic works were …
focus on art/research projects
Ute Klissenbauer und Dierk Schmidt diskutieren mit Ulrich Lölke spezifische Herausforderungen für ihre Projekte UFO UNO und “Die Teilung der Erde” an der Schnittstelle zwischen Wissenschaft, Kunst und Politik.
The Sensorial + the Conceptual Mix
from the series of lectures “Conceptual Paradise. Artistic Practice in the Age of the Social Web”
Wisrah C. V. da R. Celestino - Seven Works
Kunstraum of the Leuphana University Lüneburg is pleased to announce Seven Works, a solo exhibition by Wisrah C. V. da R. Celestino curated by Ana Druwe in collaboration with Halle für Kunst Lüneburg and Leuphana Institute for Advanced Studies (LIAS) in Culture and Society. The exhibition brings a set of works by Celestino in dialogue with the specific context of Kunstraum Leuphana Lüneburg. It highlights the interplay between the institution's archive, the university campus, and its historical connection with Halle für Kunst Lüneburg, exploring potential porosity between the university and the city.
Twice
This practice seminar provides an occasion to consider American artist Park McArthur’s practice and presence among a recent generation of artists whose conceptualist and institutionally-responsive strategies both critique and re-imagine life’s material conditions in the 21st century. Introduced to a wider public with her solo exhibition Ramps, 2014, McArthur’s concern for the aesthetic possibilities and formal invention of debility, disability, and dependency have been the subject of solo and group exhibitions. Furthermore, how audiences access and experience artworks is a central concern of this course and of McArthur’s work more generally.