Tejal Shah - Between the Waves

〚30.11.2023-15.1.2024〛

The five-channel video installation Between the Waves, 2012, is a "circular fable, a new cosmology bearing a strong commentary on the Anthropocene", as the artist Tejal Shah puts it. Shahs works are informed by a non-binary Buddhist philosophy and practice, queer-feminism and eco-poetics.

Twice

〚Oct 25, 2023 - Jan 31, 2024〛

Artist Park McArthur joins the M.A. Cultures of Critique at the Leuphana University Lüneburg for the 2023/24 winter term to conceptualize an exhibition for the Kunstraum. McArthur’s engagement with the Kunstraum begins with a listening session on October 25 and concludes with a public symposium and exhibition in January 2024. Under the influence of disabled artists’ ongoing experiments in description, McArthur’s exhibitionary desires are guided by and bound to the materiality of disability access (Geelia Ronkina).

DEADTIME (“Maggie’s Solo”) with Cally Spooner and Will Holder

〚May 31 to June 28, 2023〛

“The exhibition at Kunstraum Leuphana University Lüneburg opens on May 30, 6pm and closes on June 28, 6pm. “Maggie’s Solo” is a 44'16" audio recording of Maggie Segale dancing in “early 2020”. The piece by Cally Spooner was also filmed, but the film will not be shown. I met Cally in 2014 which we both forgot...”

weight, véhicules and telepathy, how "la facultad" feels at a distance

〚April 27, 2023, 6pm〛

with Catalina Insignares, Henrike Kohpeiß, Myriam Lefkowitz

Dedicated to exiled people and those who assist them, la facultad is a site where our dormant sensory faculties are exercised, so that we can hear, study and amplify them in collaborative situations. For the public talk on April 27, Lefkowitz and Insignares depart from written reflections on la facultad (and its different iterations since 2017), drawing out some of the ideas in dialogue with the philosopher Henrike Kohpeiß. The talk approaches an ongoing project at a distance.

Assistances (Working Title)

〚April 14 & 15, 2023〛

A two-day workshop with Valentina Desideri, Stefano Harney, Jason Hirata, Will Holder, Annick Kleizen, Cally Spooner, Eric Golo Stone, Mathilde Supe, Terre Thaemlitz, Marina Vishmidt

The assistant who doesn’t identify with their work is often a bringer of horrible mood, which is not to be underestimated. In fact, it can serve us as a methodology...

Unterwerfungen

〚December 8th to January 28th, 2023〛

Kunstraum of the Leuphana University Lüneburg is delighted to announce the opening of Philipp Gufler´s solo exhibition "Unterwerfungen". Bringing together old and new works and structured by Gufler’s ongoing collaboration with the self-organized Forum Queeres Archiv München, "Unterwerfungen" tracks the various ways in which Gufler stages archival material, resisting the heteronormative capture of a resistant past.

On the Trail of Exploitation

〚January 16th to February 13th 2022〛

The 2010 exhibition "Principio Potosí" archive, curated by Alice Creischer, Max Jorge Hinderer and Andreas Siekmann, is on display at the Kunstraum of Leuphana University. Besides the 36 booklets that can be worked with in the exhibition, students of Leuphana University have responded to selected booklets of the archive with their own images, texts, interviews, and films.

The Dividual

〚July 5th to July 16th, 2021〛

The exhibition „The Dividual“, curated by Joshua Simon at the Kunstraum of Leuphana University Lüneburg, explores an emergent subjectivity, divided from itself, and always-already part of something. With texts and works by Jacob Lawrence, Chris Marker and Alain Resnais, Emmanuela Soria Ruiz, Drexciya, Roee Rosen, Octavia Butler, Karl Marx and Friedrich Engels, Sergei Eisenstein, Sylvère Lotringer, Ruth Patir, Andrei Platonov, Paul Klee, El Lissitzky, Georges Bataille, Emanuel Almborg, Shana Lutker, and Platon Kerzhenetsev.

Tribunalism

〚October 7th - November 21st, 2021〛

The eponymous exhibition combines filmed art works, tribunal documentaries, and artistic works that address and critique the institution of the tribunal – as well as a spatial intervention designed by Mirjam Thomann – created for this exhibition, and framing it in an installation-like language as a site of negotiation.