discourse:

Public / Private

Poject with Thomas Locher and Peter Zimmermann

In the Place of the Public Sphere / Publicum. Theorien der Öffentlichkeit

On the occasion of the appearance of two new publications on theories of the public sphere, the editors present these volumes for discussion: Simon Sheik (ed.), In the Place of the Public Sphere. Berlin 2005 (B-Books); Gerald Raunig and Ulf Wuggenig (eds.), Publicum. Theories of the Public Sphere. …

Conceptual Paradise

Ausstellung

Demanding Supplies – Nachfragende Angebote II

Dealing with – Some books, visuals, and works related to American Fine Arts, Co. Art Club 2000, Patterson Beckwith, J. St. Bernard, John Dogg, Jackie McAllister, James Meyer at Halle fuer Kunst, Lueneburg, and Stephan Dillemuth, Loretta Fahrenholz, Karl Holmqvist, Phillip Zach at Kunstraum of …

Backstage I

Exhibition in three parts and three phases »Ozarichi, März 1944« in UC, Hall 25 »Megalothymia« in UC, building 10, ground floor Christian Boltanski, »Die Archive der Großeltern« in UC, building 7, basement Opening of »Backstage I« on Wednesday, March 8, 2017, 7pm in lecture hall 5 with …

Backstage III

Exhibition in three parts and phases »Ozarichi, März 1944« in campus hall 25 »Megalothymia« in campus building 10, ground floor Christian Boltanski, »Die Archive der Großeltern« in campus building 7, basement Opening of »Backstage III« on Wednesday, June 14, at 6:30pm with short presentations and a …

Ecologies of Existence. Art and Media beyond the Anthropocene

with contributions by Matthew Fuller (Goldsmiths, University of London), Jennifer Gabrys (Goldsmiths, University of London), Baruch Gottlieb (Telekommunisten, Berlin), Erich Hörl (Leuphana Universität Lüneburg), Knowbotiq (ZHdK, Zürich), Elke Marhöfer und Mikhali Lylov (Berlin)Stamatia Portanova …

The First Congress of the Kulturwissenschaftliche Gesellschaft

Keynotes by Sigrid Weigel (Berlin), Andreas Reckwitz (Frankfurt/Oder), Heidrun Friese (Chemnitz), and Orit Halpern (Montréal)

Female Identities in the Post-Utopian. Perspectives on Post-Socialism from Art and Theory

with Anabela Angelovska, Anna Bitkina, Ana Bogdanović, Anetta Mona Chişa & Lucia Tkáčová, Suza Husse, Katja Kobolt, Elena Korowin, Petra Lange-Berndt, Monika Rüthers, Jana Seehusen, Bettina Steinbrügge

From Models to Monsters. Representing the World Economy and its Discontents

A Workshop by the DFG Research Training Group »Cultures of Critique«

Henri Lefebvre, the State and Social Movements

The event is held in the context of the exhibition »Front, Field, Line, Plane – Researching the Militant Image« by Urban Subjects (Sabine Bitter/Jeff Derksen/Helmut Weber), who in 2009 already cooperated with Klaus Ronneberger for the project »Autogestion, or Henri Lefebvre in New Belgrade«.

Representations of the "Other". The Visual Anthropology of Pierre Bourdieu

Kunstraum der Leuphana Universitaet Lueneburg und Gallery of the Academy of Visual Arts Leipzig in cooperation with the Heinrich-Boell-Stiftung Berlin

ReproReality HackLab 005 – 006, FertilityCave 1.0.7

»ReproReality HackLabs« are a series of gatherings of likeminded and associated as well as individuals to discuss ideas and develop tools around Reproductive Technologies. They aim to extract these Technologies from their biopolitical determination. »ReproReality HackLabs« are hosted by a lifeline …

1 - 1 = 2 Hybert-Marché

With Fabrice Hybert and Hans Ulrich Obrist in cooperation with the ARC, Musée d’Art Moderne de la Ville de Paris

Demanding Supplies – Nachfragende Angebote I

with nOffice (Markus Miessen, Ralf Pflugfelder, Magnus Nilsson), Berlin/London

Backstage II

Exhibition in three parts and three phases »Ozarichi, März 1944« in campus hall 25 »Megalothymia« in campus building 10, ground floor Christian Boltanski, »Die Archive der Großeltern« in campus building 7, basement Opening of »Backstage II« on Wednesday, April 26, at 6:15pm with short presentations …

Art and Economics Since the Crisis

Since the start of the last economic crisis in 2007/08, there has been much discussion of art’s imbrication with money, specifically its instrumentalization in burgeonining cultures of art investing and financial instruments in the art field. Alongside these conversations, there have been important …

Art and its Frames. Continuity and Change

with Beatrice von Bismarck (Leipzig/Berlin), Julia Bryan-Wilson (Berkeley), Helmut Draxler (Berlin/Nürnberg), Andrea Fraser (Los Angeles), Renée Green (Cambridge, Mass.), Hannes Loichinger (Lüneburg), Sven Lütticken (Amsterdam), John Miller (New York), Marion von Osten (Berlin), Gerald Raunig …

Art, Ecology and Sustainable Development

The symposium “Art, ecology and sustainable development” deals with ecologically oriented art/architecture and investigates the relevance of the current discourses on “sustainable development”, which also accompany the EXPO 2000 in Hannover, for art and the art field. The …

Art in the Periphery of the Center

Peripheries are profoundly ambiguous regions. While trying to build an attachment to their center, the periphery often finds itself marginalized or even excluded both on a structural and actor-related level – no matter if the center-periphery model is defined in terms of space or along relations of …

BIGNES? Critique of the entrepreneurial city

Bigness, as the Dutch architect Rem Koolhaas mockingly remarked, is the pinnacle of architecture. Here, Koolhaas refers to his district-sized rail hub ‘EuraLille’, as only greater size can mobilize a “regime of complexity” as well as the “concentrated intelligence of …

The Image as Battlefield in the Global Cold War. From the Revolutionary Image towards the Humanitarian Misunderstanding

Between 1980 and 1986 a number of four-week courses for photography took place in Beirut, Aden (Yemen), Berlin, and Tunis. The participants were wounded, aged or young revolutionaries of various Palestinian organizations and communist associations in Lebanon who in cooperation with Horst Sturm – …

Ethnographic Museums and Memories. Two Screenings

Since Alain Resnais’ and Chris Markers film »Les Statues meurent aussi« from 1953 ethnographic museums have been the topic of filmic and artistic critique mostly due the doubtful origin of their collections as looted art under colonial times. As part of the seminar »Art and Ethnography. History of …

(Colonial)Archaeology and Contemporary Art

The artists’ colloquium emerges from the »(Colonial) Archaeology and Contemporary Art« seminar within the »Practice Field Art« program. The seminar focuses on the colonial histories of archaeology in the Middle East and Egypt, and on the relationship between imperialism, capitalism and …

Memory Loops

Memorials are mostly commissioned works of art that are bound to a pre-definded space and function as symbolic gestures. The task to memorize or to come to terms with the past is delegated to the artist. Thus, an artistic engagement with memorials has to take into account questions of …

Occupational Realism

The lecture »Occupational Realism« by US-American art historian and critic Julia Bryan-Wilson at the Kunstraum of Leuphana University of Lüneburg draws upon her recent thinking of artistic labor and relates thoughts on the Art Workers’ Coalition (AWC) to the current Occupy Wall Street Movement. In …

pausenkino

Film screenings within the framework of <reformpause> at various public locations (lecture halls, art room, seminar rooms). A <reformpause> cinema will be programmed at various public venues (lecture halls, art room, seminar rooms), in which the examination and critique of educational …

Post-X Politics

This workshop is a follow-up event to a workshop on Media Ecologies which took place in November 2016 at Concordia University, organized by the Global Emergent Media Lab and a reading group on Readings Around Media in Japan. In bringing this unique style of a reading group seminar to Lueneburg we …

Souvenirs and Trophies

The American artist Mark Dion has been working for more than 10 years on the cultural representation of nature and is internationally regarded as one of the most important representatives of context art. This year, for the first time, a large, retrospective traveling exhibition will be dedicated to …

Tribunalism. The Case for Art

The conference “Tribunalism. The Case for Art” brings together artists, legal theorists, theater and art scholars, and activists to discuss what spaces artistic tribunals open up, what can be said that cannot be said elsewhere and in other ways, how the invocation of a juridical form …

all our tomorrows

International group exhibition in the frame of the project translate Artists: Donald Rodney, Shilpa Gupta, Hetain Patel, Owusu-Ankomah, Elmgreen and Dragset, Song Dong, Zhang Dali, Yukiko Terada, Hew Locke, Nomeda and Gediminas Urbonas, Sabine Fassl, Johannes Wohnseifer and Lisl Ponger

Interarchive

A project with Hans Peter Feldmann and Hans Ulrich Obrist

Economies of Misery

An exhibition of photographs by Pierre Bourdieu In cooperation with Camera Austria Graz (Christine Frisinghelli), University of Geneva, Département de Sociologie (Franz Schultheis) and Fondation Pierre Bourdieu, Geneva https://camera-austria.at

transform

EU-Project in cooperation with Van Abbe Museum, Eindhoven, NL European Institute for Progressive Cultural Policies, Wien, A Latvian Centre for Contemporary Art, Riga, LV Lentos Kunstmuseum, Linz, A MACBA, Barcelona, E

Tribunalism

The eponymous exhibition combines filmed art works, tribunal documentaries, and artistic works that address and critique the institution of the tribunal – as well as a spatial intervention designed by Mirjam Thomann – created for this exhibition, and framing it in an installation-like language as a site of negotiation.